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Death Symbolism in Art and Literature
For Death must be somewhere in a society; if it is no longer (or less intensely) in religion, it must be elsewhere; perhaps in this image which produces Death while trying to preserve life. Contemporary with the withdrawal of rites, Photography may correspond to the intrusion, in our modern society, of an asymbolic Death, outside…
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Edwardo The Horriblest Boy In The Whole Wide World by John Burningham and Fabulously Naughty Children
Edwardo, The Horriblest Boy In The Whole Wide World, written and illustrated by John Burningham (2006), is an excellent example of this modern ideology of ‘good’ vs ‘bad’ children, specifically how there is no such thing as good vs bad, but we’re all a little yin yang and can go either way depending on how…
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Tomten Stories For Children
The Tomte is a Christmas creature from Nordic folklore. Tomte is Swedish, and the other Scandinavian countries have their own versions — in Norway known as Nisse.
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Symbolism of Eyes and Foucault’s Panopticon
Most humans are drawn to the eyes and gaze. Eyes therefore feature large in art and storytelling, and sometimes symbolise surveillance. The gaze is extremely powerful. Artist Marina Abramovic knew this when she sat in an art gallery and stared at people for months. Harrison Fisher also understood when painting these girls, supposedly having fun,…
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Mr Reginald Peacock’s Day by Katherine Mansfield Short Story Analysis
r Reginald Peacock’s Day” (1917) is a short story by Katherine Mansfield, functioning mainly as a character study.
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Rich As Stink by Alice Munro Short Story Analysis
Rich as Stink is a short story by Canadian writer Alice Munro included in the 1998 collection The Love Of A Good Woman. Gaslighting, parentification, spousification, self-objectification, coercive control… People living in 1974 did not have ready access to the language of psychology and found it difficult to describe emotionally abusive relationships, let alone talk…
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Symbolism of the Maze and Labyrinth
I hate being lost. I’m not the only one. Before the age of cities, suburbs and GPS, it really was dangerous to separate from your tribe. Professor Kenneth Hill has studied the psychological effects of getting lost, and was interviewed by Jim Mora on the RNZ Sunday morning radio show. Jim asks, why do people…
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Parties in Art and Fiction
Parties provide an excellent setting for getting people together. And when people are together this creates conflict, the backbone of any story. Like other high-stress, socially critical events such as competitions and staged performances, parties also often happen at the climax of a story. Events leading up to the party garner suspense due to the…
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Cannonball Simp by John Burningham Analysis
Cannonball Simp is a picture book written and illustrated by John Burningham, first published 1966. This is a story from an earlier Golden Age of children’s literature, one in which ending up in a circus is a good outcome, and also, well, words sometimes change. It’s shame that the 2020 meaning of the word ‘simp’…
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Pettson and Findus Pancake Pie by Sven Nordqvist
Pancake Pie (1984) is a Swedish picture book written and illustrated by Sven Nordqvist, and is the first in the Pettson and Findus series starring a man and his cat who live together on a rustic farm, along with many little creatures who make the setting seem alive.
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The Storybook Police Archetype
Australia has a uniquely trusting relationship with its police force. We might say the image of police here in Australia is based on a storybook image, one which is cultivated in white kids from the time we start reading children’s books. The only feelings mankind has inspired in policemen are indifference and scorn. UN FLIC…
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Holidays and Camping In Art And Picturebooks
Scholars who study holidays and tourism classify holidays into five broad types. Which type(s) do you prefer? And how are holidays commonly depicted across children’s literature?
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Rupert Can Dance by Jules Feiffer Picture Book Analysis
Rupert Can Dance is a 2014 picture book written and illustrated by Jules Feiffer, who loosely makes use of a T.S. Eliot cat archetype in his depiction of alovably combatative relationship between a secretive mystery cat and a girl.
