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The Magic Porridge Pot And Famine
The Magic Porridge Pot is also known as Sweet Porridge and goes by various similar titles. This is a fairytale borne of famine.
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The Trickster Archetype In Storytelling
Tricksters are characters who make secret plans to get away with stuff and to get what they want. Most characters in children’s literature have an element of trickster about them, but this archetype is found frequently across the history of storytelling. In any negotiation, the one who lays out their position first usually loses because […]
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The Plot Points Of Every Single Fairytale
Not every fairytale includes every plot point as listed below, but when they do, they appear in order.
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Fairytale Archetypes
Marina Warner has a great way of thinking about fairytale archetypes: Imagine them as pieces on a chessboard. We know all we need to know about them just from their appearance. Moreover, their position on the board limits the number of possible moves they’re able to make. If you’ve ever seen Tarot cards, the archetypes […]
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The Tiger’s Bride by Angela Carter Short Story Analysis
“The Tiger’s Bride” is a short story in Angela Carter’s The Bloody Chamber collection. Marina Warner writes of stories in The Bloody Chamber, published during the post-war feminist movement which largely denounced fairytales and everything they stood for: [Carter] refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatised genre, […]
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The Influence Of King Arthur
Was King Arthur real? People have been hoping so for 1500 years. And how similar was he to the historical Jesus? See: In Search of the Historical Arthur by C. Dal Brittain, professor of medieval history and fantasy writer Another good place to start with a King Arthur story is with “The Legend of King […]
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The Bloody Chamber by Angela Carter Short Story Analysis
“The Bloody Chamber” is a feminist-leftie re-visioning of Bluebeard, written in the gothic tradition, set in a French castle with clear-cut goodies and baddies. The title story of The Bloody Chamber, first published in 1979, was directly inspired by Charles Perrault’s fairy tales of 1697: his “Barbebleue” (Bluebeard) shapes Angela Carter’s retelling, as she lingers […]
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Princesses In Children’s Stories
WHY ALL THE PRINCESSES? The proliferation of princesses in stories for children is partly explained by Maria Nikolajeva in Rhetoric of Character In Children’s Literature: A structural approach to formulaic fiction, presented by John G. Cawelti (1976, 91), singles out four roles in a detective story: the victim, the criminal, the detective, and those threatened by […]