Aurora In Art

Aurora are works of art in their own right. Of course artists have been reproducing aurora in paintings and illustration since it was possible. Below are some examples of aurora in art, including various media. It’s interesting to see how the aurora can even be reproduced using woodcut.

Frederic Edwin Church (American), Aurora Borealis, 1865, 56x83, 1911.4.1, Smithsonian American Art Museum
Frederic Edwin Church (American), Aurora Borealis, 1865, 56×83, 1911.4.1, Smithsonian American Art Museum
Alexander Leydenfrost (1888 - 1961) 1940s illustration
Alexander Leydenfrost (1888 – 1961) 1940s illustration
Konstantin Korovin (Russian, 1861-1939) Northern Lights 1895
For three decades from 1901, Anna Boberg visited the Arctic and painted it.
At the Back of the North Wind, Jessie Willcox Smith, 1919
‘Our Little Friends of Eskimo Land Papik and Natsek ‘ by Frances Carpenter published 1931
Fun in the Frozen North back cover a 1950s pop up book arranged and illustrated by Molly B. Thomson
Edward Whymper (British mountaineer and illustrator, London, 1840 - Chamonix, 1911), Aurora Borealis, color woodcut, with watercolor
Edward Whymper (British mountaineer and illustrator, London, 1840 – Chamonix, 1911), Aurora Borealis, color woodcut, with watercolor
Northern Lights by Meyers Konv-Lexicon, 1870
Northern Lights by Meyers Konv-Lexicon, 1870
Ola (Northern Lights) by Ingri and Edgar Parin D’Aulaire, 1932
'Aurora Borealis' Woodcut print by Finnish artist Aukusti Tuhko. 1937
‘Aurora Borealis’ Woodcut print by Finnish artist Aukusti Tuhko. 1937
Aurora Borealis in High Latitudes. from the book William MacKenzie’s National Encyclopedia (1891), a colored illustration of the beautiful polar lights in the night sky
Aurora Borealis in High Latitudes. from the book William MacKenzie’s National Encyclopedia (1891), a colored illustration of the beautiful polar lights in the night sky
Kinder des Nordlichts, 1957, I. & E. Parin D'Auliar depicting the Lapps who herded reindeer, wide awake wild animals and the Northern Lights
Kinder des Nordlichts, 1957, I. & E. Parin D’Auliar depicting the Lapps who herded reindeer, wide awake wild animals and the Northern Lights
Authors & illustrators Edgar Parin d’Aulaire, Ingri Parin d’Aulaire, 1972
 The Open Road For Boys Magazine. This human generated electricity looks like aurora.
The Open Road For Boys Magazine. This human generated electricity looks like aurora.
Explorations in the Icy North: How Travel Narratives Shaped Arctic Science in the Nineteenth Country

Harsh conditions, intense isolation, and acute danger inevitably impacted the making and communicating eighteenth-century scientific knowledge leading up to the first International Polar Year in 1882. In her new book, Explorations in the Icy North: How Travel Narratives Shaped Arctic Science in the Nineteenth Country (University of Pittsburgh Press, 2021), Nanna Katrine Lüders Kaalund demonstrates the instability of nineteenth-century scientific practices and the challenges of producing travel narratives about the harsh Arctic field by comparing an array of transnational arctic travel narratives, including British, Danish, Canadian, American, and indigenous perspectives. On their return to the metropole, explorers and their backers discovered that organizing and controlling perceptions of their venture became as tricky to navigate as the expeditions themselves. Noting the ambivalent relationship among religion, commerce, and scientific interests, Explorations in the Icy North examines tensions between the types of scientific results expected from exploratory missions based on differing focuses of trading companies and religious missions. Uncovering the transnational nature of Arctic exploration, Kaalund reveals how far beyond the metropole explorations and the narratives that followed ultimately influenced the understanding of field science, helping to establish Western perspectives about the arctic. While grappling with issues of institutionalization and professionalization of science, Explorations in the Icy North provides meaningful insight, explaining the need for research stations created by the end of the century while detailing the significance of public consumption of science through the lens of the travel narrative.

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Header image: Ola (Northern lights) by Ingri and Edgar Parin D’Aulaire, 1932

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